Відео

There are still AudioScape cup holders up for grabs! Get them while they last!

When I use HW insert in Pro Tools (latest version) with my Apollo X6, apparently latency is compensated automatically because the outcome of your test on my system is NO DELAY between the tracks. Even by listening to the same track in parallel with HW insert there is no perceived phase shift... It's a sort of mistery which is apparently non documented anywhere, but It works for me...

I find the Neve more polished with a bit more of a natural low and high end (I would hope so for the price lol) but the Behringer has a slight 'cool ugly' thing going on in the upper mids - I really like what it does to the snare, and it's otherwise pretty close. NGL I know they're not a transformer maker originally but Midas has done a really good job on the transformers in all this stuff, kicks the ass of the old Behringer output transformers if you want colour. I like my Klark Teknik boxes a lot for what they are - really cheap way to play around with these older style designs.

Good demo but I was really distracted by your fingernails. I hope everything is ok.

Im hearing a little bit more musical Pumping on the Neve. On the Full mix it is realy noticable when all the Instruments play. The guitars have that little bit of a ducking effect in grove with the Kick, to leit it through a bit more. But still very close.

It does sound great. You're other video really helped decide to buy that Chroma Console, now you've talked me into this lol. Loved the song also who was the artist you were mixing here?

do non linear units null against themselves?

the cumulative effect in the mix is key, the behringer is brighter and squealing the mids, the tone is rawkus, once you pile up a few instruments recorded with this it's really going to give you a hard time in the mix, high end gear gives you that last 10% of polish that allows for more clarity once the whole track is mixed, listening to tracks over and over is less tiresome and that's what separates a classic track from others, people need to listen to them over and over, they will only do this if their ears aren't warn out, if you are going to record a couple of things then go for the behringer, but if you have to process 10+ tracks of audio +add effects then use something more subtle, warm audio, avalon, stam, hk, manley, ssl... I've worked with 100+ tracks of audio many many times, something with the behringer tonal quality might only go on 1 or 2 of the tracks, why lose the stereo image and room tone that you spent time carefully setting up... I'm sure people will make great records with it but they won't be great because they used the behringer, however using some high end gear can make average music into timeless music. that last 5-10% that good gear gives you is what makes an average song into a spectacular piece of music... ...that'll do, is the enemy of greatness.

You have 128 channels so I don’t think two is really gonna matter. Why are people making a big deal about this?

Since you have two, you could do the Andrew Scheps vocal trick. 1st Pulltec cut the lows at 100Hz and boost the high at 5kHz then into the LA2A into the 2nd Pulltec bring the lows back in and attenuate the high back down. Works really well in a dense rock mix 🤟🏼

ahhhhhhhhhh AHHHHHH EQ! AAHHHHH!!!

+1 for a 24 frames per second frame rate video from a European creator!

Was looking at Stam for my EQP-1A/LA-2A lustings but you're talking me round to Audioscape mate!

Do you have the problem with the buffer size limitation? (Max 512 samples)

Give away yeeeeee 😊

yep, that why most people just use the Digi design converters to get the automatic delay compensation. Plus there easier to mod then apogee and this new Chinese crap parts in converters.

I’d be willing to bet if the behringer unit had the Midas name on it it they wouldn’t,’t be able to manufacture them fast enough. I honestly believe this is an outstanding tool.

Thank you, this is so use full. 🤞🏽🙏🏽

Now change your buffersize 🤣 How is this still a thing in ProTools?!

For the minor differences it ain't worth paying the extra 2k for the OG.

Ah yes, the dreaded delay compensation : / Good stuff ! Solid info

Well done thanks ill be going through this process soon as well Some whack comme ts from people that obviously have never touched hardware in their life if they have then their moxes would sound horrific with everything that comes with no delay compensation for hardware inserts Good video thanks

And in the newest update it got worse. In Logic you have a plugin that calculates the latency. Ridiculous not having the same in PT. Thanks :) I have that VLA II Pro

Are you using HDX or Native? Is delay compensation on? Do you still have the same issue if you bounce and import? Why would you play from one track and record to another?

They've been making good clones for years now, I think that soft relaunch happened years ago.

Huge difference! Neve hands down!

I've tried 100 times and watch many videos I completely understand how this works. My problem is not delayed its actually head in time and there is only a few threads of people that talk about this issue. I have never found the solution to my problem other than going HD. I gave up a few years ago.

I dont like how the snare hits on Behringer souns like when you pull the threshold to hard on the L2

I am dealing with this issue right now after fairly recently switching from Logic to Protools. I could not believe that Pro Tools did not have a ping tab like logic to automatically calculate round trip latency. With all of the crazy deep features that Pro Tools has it is wild that they have not added this. People have been asking for many many years and it doesn't seem like it would be that difficult only leads me to believe that they want this to be a pain so that people are more interested in buying there interfaces that handle all this for you. My question is how does this process look when you are using a patch bay and signal is going through multiple pieces of hardware? I mean if you only need to do this process once for different sample rates that isn't to bad but if you are having to do math everytime you want to set up different signal chains that is kinda ridiculous. thanks for the video dig the channel.

I've had nothing but latency issues and bugs over the decades using DAW's. I just use a 30 channel mixing desk and my DAW as a multitrack tape recorder to save the headaches. Saying that, I don't use ProTools because I detest the subscription business model.

Do you know if its only happen in protools? Is also an issue on reaper?

I just gave it a listen on my monitors, so I will be the final judge. The Neve is better. How much better? I heard more transients like string plucks and fret noise, wider sound, a bit cleaner highs, but marginally better. Not huuuugely better. These things you hear on monitors. On a mix in a living room or car stereo. Not unless you are an audiophile. Perverts.

The fast attack is not turned on the #2 channel of the Behringer

Are you going to review the Barringer 1273 as well?

Hi, I want one of these, but I can't find one. Noone has this in stock. where did you get yours? thanks,Luke

i like the 369-KT better (20 years experience)

can you explain the different setting of slow and fast attack on the two channels in the first 14.35 minutes?

Agreed re: Dangerous. I sum out of a BURL Mothership on 32 channels via a Chandler MIni MIxer and BURL Vancouver into Manley outboard and there most certainly is a difference in spatial perception. (Depth/height/width, reverb tails, etc) and an overall muscularity that I just don't hear ITB. The cumulative effect of passing signal through all those line amps in the Chandler (essentially a 16ch TG console) as well as a switchable transformer-in option on the Vancouver is where the magic/mojo resides. Most importantly I get 'there' much quicker with fewer tweaks, making the entire mixing process smoother and more enjoyable. YMMV. Cheers!

would love to hear vocals thru it as that and bass are what most people would be using it for!

This is a good video those that work on and actually have expensive gear know why… I hate the other brand with a passion and not because I work on and have Neve. I hate the other band with no gear at all. I’ve never heard 2 compressors sound so close as show on the previous video. This link is to the warm audio vs Neve also as close some spots as close ua-cam.com/video/aD9D-Wcw2zc/v-deo.htmlsi=z2_T3CqRmD8d0AOG Evidently clone this Neve compressor isn’t as hard as other gear

The Neve and the UAD plugin are more similar to each other to my ears, the behringer kinda has more of its own thing going on with a slower attack (especially in fast attack mode) which is I think what made it feel more "open" as you mentioned in the previous videos. The Neve and UAD version are both more grabby.

I see a lot of people saying the 2akt buti think the wa2a might be a more interesting comparison and you won't have to give tribe/uli your money. I also think its not the fixed attack its smoothness, i think its the variable release and how it responds differently to different areas of the spectrum. Eta: if you don't fully believe me try to set up a similar response in reaxcomp, and play with various fixed attack times.

Best is he knows his history, So that means passion. This is guy probably a good cook. Just guessing.😂

I wish I would have seen this video sooner but I will comment anyway. I am so happy for the documentary - true title - “The Show Must Go On: The Queen + Adam Lambert Story” 😊. That documentary was one of the best I’ve ever seen. I love love love the story. Oh and Adam was on American Idol - not America’s Got Talent 😊

meve has more warmth, but cuttinf the top off, behringer is the clear winner to me because of that

Now you need to do a comparison to a Klark Teknik 2A-KT =)

Now I want to hear the difference between the Audioscape and the Klark Teknik 2A-KT and listen if the 1250 bucks price difference is worth it. By the way, try the LA2A on snare, works great 😊

Great vid, Ollie! Love the AS2A Beautiful compressor

They sound different but ultimately they're doing that fantastic poppy thing to the drums that the 33609 is amazing for. Great work from the copycats at berhinger.

Give the Behringer a few years of use. Over time the transformers/opamps etc. will start to impart a different color. Usually warmer/more saturated because those parts have been broken in. Transients can sometimes sound a lil bit more hifi/bright/spikey on newer gear; pres/eqs/compressors, etc.